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Sigma Announces New Batch of Lenses

- 8 years ago

CP+, the international photography show that’s been taking place in Yokohama, Japan, has seen a slew of activity this year. Significant launches include four new lenses from the manufacturer, Sigma, further broadening their range of excellent Art lenses [and a new 100-400mm to boot]

. We outline all of the key points below: 

We outline key points below:

The Sigma 24-70mm F2.8 lens 

SIGMA has pioneered 24-70mm F2.8 lenses and seems to manage to stay a step ahead of the times. The first model of this specification, SIGMA 24-70mm F2.8 EX DG ASPHERICAL DF, launched way back in 2001.

Here then, is the fourth generation of the family, the all-new SIGMA 24-70mm F2.8 DG OS HSM | Art incorporates optical stabilisation in a large-diameter standard zoom.

the all-new SIGMA 24-70mm F2.8 DG OS HSM | Art

What Sigma says:

The definitive large-diameter standard zoom lens for any shoot

What photographers demand from the 24-70mm F2.8 specification is much more than outstanding image quality. They want all the features that make this a go-to lens for a wide range of photographic opportunities, including optical design ideal for the latest ultra-high-megapixel digital cameras, HSM (Hyper-Sonic Motor) for high-speed autofocus, OS (Optical Stabilizer) with powerful stabilization effect, dust- and splash-proof mount with rubber sealing, and a metal barrel for a stable, rigid feel. This all-new 24-70mm F2.8 lens from SIGMA delivers the performance and functionality that help pros succeed in news, nature, and many other fields of photography.

  • Mount with dust- and splash-proof design
  • Nikon electromagnetic diaphragm mechanism included
  • Fast AF with full-time manual focus
  • Designed to minimize flare and ghosting
  • High-precision, durable brass bayonet mount
  • Rounded diaphragm
  • Evaluation with SIGMA’s own MTF measuring system “A1”
  • Made in Japan

Bokeh that is a cut above

At wide-open aperture, this lens offers outstanding photographic expression. The area in focus is extremely sharp, while the background exhibits a beautiful bokeh effect with only slight spherical aberration. Since large-diameter zoom lenses are often used at wide-open aperture, SIGMA has paid close attention to the shape of the bokeh, aiming for perfect circularity.

With outstanding craftsmanship

  • The lens barrel is engraved with the year of release
  • Compatible with Mount Converter MC-11
  • Available SIGMA USB DOCK

Makes customization and flexible adjustment possible

  • Available Mount Conversion Service

The SIGMA 14mm F1.8 DG HSM | Art

Introducing the world’s first and only F1.8 ultra-wide-angle lens. A true high-speed lens that promises to deliver a new dimension of visual experience.

The SIGMA 12-24mmF4 DG HSM | Art was the first SIGMA lens to feature a large ⌀80mm aspherical lens element. Building on the expertise derived from this success, the new lens features a large ⌀80mm precision-molded glass aspherical lens as its front element. This technology has made possible the 14mm F1.8 specification. The first of its kind.

The SIGMA 14mm F1.8 DG HSM | Art

What Sigma says:

Minimized distortion

Serving as the front lens element, the large ⌀80mm precision-molded glass aspherical lens effectively minimizes distortion. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the center to the edges.

Distinctive bokeh effect

Even at the 14mm ultra-wide-angle of view, F1.8 brightness makes possible a very shallow depth of field with the subject standing out dramatically against a bokeh background. It’s the unique mode of expression that only a large-diameter lens can deliver.

Seventh 35mm full-frame prime lens to join the Art line

Launched in 2012, the SIGMA 35mm F1.4 DG HSM | Art was the first lens in the Art line. Since then, SIGMA has developed a wide variety of lenses for the line, and the SIGMA 14mm F1.8 DG HSM | Art is the seventh prime lens in the line to offer 35mm full-frame coverage. Now even stronger, the Art line sets the new standard for prime lenses in the ultra-high-megapixel era.

  • Fast AF with full-time manual override

Note: The operation of full-time MF may vary based on mount type

  • Compatible with Mount Converter MC-11
  • Available SIGMA USB DOCK

Makes customization and flexible adjustment possible

  • Available Mount Conversion Service

Allows use with another camera body

  • Rounded diaphragm
  • Designed to minimise flare and ghosting
  • High-precision, durable brass bayonet mount
  • Evaluation with SIGMA’s own MTF measuring system “A1”
  • Made in Japan

The new SIGMA 135mm F1.8 DG HSM | Art

With F1.8 brightness, this telephoto lens for full-frame cameras further broadens Sigma’s Art line prime options.

135mm telephoto lenses are often categorised as the foundation of telephoto, the first one to add to any lens collection. This focal length delivers a strong perspective compression effect, while the large diameter with F1.8 brightness provides a dramatic bokeh effect. It offers the outstanding resolution required for 50MP or higher ultra-high-megapixel DSLRs. By incorporating its latest innovations in design and optical glass and rethinking every aspect of the lens, SIGMA has ensured outstanding image quality all the way to the edges, establishing the new standard in 135mm telephoto lenses.

The new lens promises outstanding resolution required for 50MP or higher ultra-high-megapixel DSLRs. By incorporating Sigma’s latest innovations in design and optical glass and rethinking every aspect of the lens, they have ensured great image quality all the way to the edges.

The new SIGMA 135mm F1.8 DG HSM | Art

What Sigma says:

Launched in 2012, the SIGMA 35mm F1.4 DG HSM | Art was the first lens in the Art line. Since then, SIGMA has developed a wide variety of lenses for the line, and the SIGMA 135mm F1.8 DG HSM|Art is the sixth prime lens in the line to offer 35mm full-frame coverage. Now even stronger, the Art line sets the new standard for prime lenses in the ultra-high-megapixel era.

  • Fast AF with full-time manual override

Note: The operation of full-time MF may vary based on mount type

  • Compatible with Mount Converter MC-11
  • Mount with dust- and splash-proof construction
  • Nikon electromagnetic diaphragm mechanism included
  • Available SIGMA USB DOCK

Makes customization and flexible adjustment possible

  • Available Mount Conversion Service

Allows use with another camera body

  • Rounded diaphragm
  • Designed to minimize flare and ghosting
  • High-precision, durable brass bayonet mount
  • Evaluation with SIGMA’s own MTF measuring system “A1”
  • Made in Japan

SIGMA’s new 100-400mm F5-6.3 DG OS HSM

Introducing Sigma’s light, new approach to the ultra-telephoto zoom.

SIGMA’s new 100-400mm F5-6.3 DG OS HSM

What Sigma says:

Top performance with the specification and functionality of a more expensive unit

Since its release, the SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary has won photographers over with its strong fundamental performance and exceptional image quality. The new lens retains all of this performance in a compact 400mm ultra-telephoto zoom package with a filter size of just ⌀67mm and weight of just 1,160g. Yet it also comes with the full range of features and functions expected of an ultra-telephoto zoom: optical stabiliser (OS), hypersonic motor (HSM) with updated algorithm for fast autofocus, focus limiter, and more. In addition, this uncompromising specification becomes customizable with the available SIGMA USB Dock accessory.

Compact packaging with uncompromising image quality

In designing this lens, SIGMA strived to push both compactness and image quality to the limit. Four SLD (Special Low Dispersion) glass lens elements and an optimised power distribution help minimise optical aberrations. Moreover, by taking special care to minimise transverse chromatic aberration, which cannot be corrected via aperture control, SIGMA has ensured outstanding image quality throughout the zoom range.

Push/pull zoom mechanism incorporated

For quick control of the angle of view, the zoom ring incorporates a push/pull mechanism in addition to the regular twist mechanism. The exclusive lens hood has also been designed to accommodate push/pull zooming and overall lens manoeuvrability. By making it possible to adjust the angle of view instantly, this lens gives photographers an even better chance of getting that crucial shot.

Telephoto plus macro functionality

With a minimum shooting distance of 160cm and a maximum magnification ratio of 1:3.8, this lens can shoot either from a distance or up close.

Other features

  • Dust- and splash-proof mount

Since the area of the lens most vulnerable to dust and other foreign bodies is the mount, rubber sealing helps provide peace of mind.

  • All-new optical stabiliser (OS) unit with exclusive algorithm

Featuring a newly developed gyroscopic sensor and a new and exclusive algorithm, the all-new OS unit provides a powerful stabilisation effect. An acceleration sensor detects camera shake in any direction—horizontal, vertical, or diagonal. This technology allows the OS to stabilise the image very effectively, regardless of whether the camera is being held in horizontal or vertical orientation.

  • Nikon electromagnetic diaphragm mechanism included

The Nikon mount version of this lens includes an electromagnetic diaphragm mechanism that allows it to receive the appropriate signals from the camera body. This feature ensures precision diaphragm control and stable Auto Exposure (AE) performance during continuous shooting.

Note: Functionality may be limited on some camera bodies.

Pricing and availability

TBA

About the author

Read Sigma Announces New Batch of Lenses

Simon Skinner

Co-founder // Editor

Having spent many years working in various pockets of the music industry, and always with a camera in hand, Simon has worked with organisations such as Warner/Chappell, Food Records and ultimately, co-founding the innovative independent record label, Izumi Records before moving fully into the world of publishing in 2007. Amongst numerous other projects in the last decade, he has been responsible for a number of specialist photo trade magazines and journals for the filmmaking and photography communities, along with a coffee table book entitled, "Great Britons of Photography' which he produced with Peter Dench and Leica. Now heading up PhotoBite, Simon and the team have set themselves a task of delivering informative and inspirational content for photographers of all levels, from the beginner, shooting with smartphones, to the seasoned photographer and filmmaker.